KIMBERLEE DIANE KEELINE
San Diego, CA
Education and Honors:
Ph.D. in English. Dissertation Merit Fellowship 2001-2002. Service Award for Writing Program, 2001. University of Southern California. Defense May 2008. Degree Conferred August 2008.
Dissertation Title: Marketing Women: Representations of Working Women in Early Modern London. (Chair: Prof. Rebecca Lemon)
Abstract: Reproduction, production, and consumption are linked in early modern ideology. This project builds on and extends historical studies about working women by turning to fictional representations as another site of evidence. In this project I focus on the male voices of popular literature (including John Skelton, Thomas Deloney, William Shakespeare, Ben Jonson, John Webster, and Thomas Dekker), when viewing women in artisan, retail and service situations, in order to see how women's identities are based on sexual reputations, which play out in association with issues of credit, the gaze, spectacle, theatricality, and movements across the city. By examining the language of consumption and sexuality that intertwines all images of women in the workplace, I will show the constraints within which real women worked in early modern London. But, beyond this historical investment, the project more broadly demonstrates the ways in which the imagination of women working, the fictional representation of women at work, served not only as a mimetic representation of actual women working in early modern England; it also, more potently, reveals the symbolic position held by women during a period of transition and anxiety. Representing working women offered a means for thinking through issues of change. Thus fictional women function both mimetically and symbolically, both mirroring their real life counterparts and signifying broader concerns. Early modern London was undergoing cultural changes related to capitalism, class, national identity, and religion. Women in the popular literature of the time became the battleground upon which ideological changes were fought; representations of working women, because of the way production, consumption, and reproduction were linked, particularly bore the brunt of these ideological battles.
M.A. in English. Nominated as "Graduate Student of the Year" by the English Graduate Organization. Washington State University. 1994.
B.A. with distinction in English. Summa Cum Laude. Honors Program Certificate. San Diego State University. 1991.
Instructor's Manual for Kathleen McWhorter's Pathways for Writing Scenarios: From Sentence to Paragraph. Longman Publishers, Pearson Education. 2006.
Instructor's Manual for Kathleen McWhorter's Expressways for Writing Scenarios: From Paragraph to Essay. Longman Publishers, Pearson Education. 2006.
"'Go to, you thing, go': Shakespeare's Mistress Quickly and the Working Woman's Dilemma." Women and Work section of the PAMLA. Pomona College, Claremont, CA. November 2008.
"Women in and on the Market: Mistress Quickly, Sexuality and Retail in Early Modern London."Shakespeare, the Elizabethans, and the Early Modern World II: Identity panel. Popular Culture Association. San Francisco, CA. March 2008.
"'Penelope Spins Apace': Deloney's Jack of Newbury and Women's Work." Women and Work section of the Pacific Ancient and Modern Language Association (PAMLA). Bellingham, WA. November 2007.
"Sexualized Economies and Working Women of Early Modern London." Shakespeare, the Elizabethans, and the Early Modern World II. Popular Culture Association. Boston, Ma. April 2007.
"Sex and the City (of London): Representations of Occupations." Also Chair of Session. Popular Culture Association. Atlanta, GA. April 2006.
"Legibility and Sexuality: Working Spaces for London Women." Also Chair for 4 sections. Popular Culture Association. San Diego, CA. March 2005.
"'Penelope Spins Apace' and Weaving Women Disappear: Deloney and the Clothing Industry." (also Area Chair and chair of section). Renaissance Popular Culture section. Popular Culture Association. San Antonio, TX. April 2004.
"London Working Women of the Renaissance." (also chair of section). Renaissance Popular Culture section. Popular Culture Association. New Orleans, LA. April 2003.
"Mercantile Community: Anthony Munday's Lord Mayor's Shows." Constructing Textual Communities section. Renaissance Society of America and Arizona Center for Medieval and Renaissance Studies. Scottsdale, Arizona April 2002.
"Women's Work in Thomas Deloney Texts." (also chair of section). Renaissance Popular Culture section. Popular Culture Association. Toronto, Canada. March 2002.
"Writing Work: Definitions of Self and Nationalism Through Occupations." (also chair of section). Renaissance Popular Culture section. Popular Culture Association. Philadelphia, PA. April 2001.
"Making a Woman: Elizabeth and Shakespeare in Love." Shakespeare in Popular Culture section. Popular Culture Association. New Orleans, LA. April 2000.
Chair of Session. "Sexuality and Teaching." Dangerous Desires: Sexing the Academy. Interdisciplinary Graduate Student Conference. University of Southern California. April 1999.
"The Fall and the Country House Poem: Female Virtue and the Bounty of the Estate." Renaissance Popular Culture section. Popular Culture Association. San Diego, CA. April 1999.
"With This Ring: Sexuality and Anxiety in Elizabethan Drama." Renaissance Popular Culture section. Popular Culture Association. Orlando, Florida. April 1998.
"Writing the Sin and Sinful Writing: Masques and Female Community in Lanyer's Salve Deus Rex Judaeorum." The Renaissance Conference of Southern California, Southwest Regional Renaissance Conference at the Huntington Library. May 13, 1994.
Chair of Session. "Explorations of Sexuality." New Approaches to Medieval and Renaissance Texts: An Interdisciplinary Graduate Student Symposium. Washington State University. April 23, 1994.
Co-Chair of Workshop. "Bridging the Gap: Applying Current Theories to Medieval and Renaissance Texts." New Approaches to Medieval and Renaissance Texts: An Interdisciplinary Graduate Student Symposium. Washington State University. April 23, 1994.
Memberships and Journals :
San Diego Shakespeare Society
Reader's Card. Huntington Library. San Marino, CA.
Reader's Card. Clark Memorial Library. Los Angeles, CA.
Modern Language Association/PMLA
Popular Culture Association
Mortar Board National Honor Society
Golden Key National Honor Society
Phi Kappa Phi National Honor Society
Phi Eta Sigma National Honor Society
Area Chair, Renaissance Popular Culture section of the Popular Culture Association National Conference. 2002-2005.
Web Designer, International Society for the History of Rhetoric 2005 Conference. University of Southern California. 2004.
Web Designer, Writing Program, University of Southern California. 2000-present.
Co-Area Chair, Renaissance Popular Culture section of the Popular Culture Association National Conference. 2001-2002.
Web Designer, Association of English Graduate Students. Department of English, University of Southern California. 2000-present.
Budget Director. Figuring the Body: An Interdisciplinary Graduate Student Conference. March 2000. Department of English, University of Southern California.
Co-Chair of Organizing Committee. Dangerous Desires: Sexing the Academy: An Interdisciplinary Graduate Student Conference. April 1999. Department of English, University of Southern California.
Treasurer of Association of English Graduate Students. Fall 1998-Spring 2000.
Member of Organizing Committee. Making and Unmaking of History Conference: An Interdisciplinary Graduate Student Conference. March 1998. Department of English, University of Southern California.
Member of Organizing Committee. Seminar on Book Collecting with Charity Auction on May 31, 1997. San Diego Booksellers Association.
Co-Chair of Organizing Committee. New Approaches to Medieval and Renaissance Texts: An Interdisciplinary Graduate Student Symposium on April 23, 1994.. Department of English, Washington State University.
Colloquia Chair. English Graduate Organization. Department of English, Washington State University. 1993-1994.
Treasurer of English Graduate Organization. Department of English, Washington State University. 1993-1994.
Chair. Graduate and Professional Women's Network. Washington State University. Fall 1992-Fall 1993.
Chair. Honor Society Council. San Diego State University. 1991-1992.
Membership Chair. San Diego State University Chapter of Mortar Board National Honors Society. 1991-1992.
Chapter President. Golden Key National Honor Society. San Diego State University. 1989-1990.
Web Designer. Developing Teaching Shakespeare site for instructional materials related to Shakespeare. Project currently under development.
Lectures on Shakespeare, the War of the Roses, and English Architecture. Numerous lectures to adult organizations interested in education. 2002-present.
Dramaturge for the San Diego State University production of Uncommon Women and Others by Wendy Wasserstein. May-October 1991.
Co-Dramaturge for the San Diego State University production of Into the Woods by Sondheim. 1990.
Co-directed Dogg's Hamlet, Cahoot's Macbeth by Tom Stoppard as part of class assignment. San Diego State University. Performed for the general public, April 23, 1991.
Teaching Experience :
Instructor. Language Arts Division, Southwestern College. Chula Vista, CA. Fall 1994-Summer 1997, Summers 1998-2002, and Fall 2002-Summer 2006. English Fundamentals (English 60), Basic Writing (English 65), Basic Writing (English 71), Introduction to Composition (English 114), Reading & Composition: Exposition & Argumentation (computer-aided) (English 115), and Writing About Literature (English 116--which included sections on Shakespeare).
Instructional Coordinator. Fall 1999-Spring 2001. Writing Program, University of Southern California. Trained new assistant lecturers during a two week Orientation and a semester-long course (Writing 501).
Course Coordinator. Fall 1998-Spring 2001. Writing Program, University of Southern California.
Assistant Lecturer. Writing 140 (linked with Political Science 130: Law, Politics, and Public Policy; Linguistics 115: Language, Society and Culture; Sociology 142: Diversity and Racial Conflict). University of Southern California. Fall 1997-2001.
Instructor. Department of English, MiraCosta College. San Elijo Campus. Fall 1995.
Rhetoric & Composition (English 100), computer-aided course focusing on multicultural readings.
Instructor. Central Texas College, PACE Program. August-October 1996; April-June 1995; August-October 1994. Rhetoric & Composition (English 1301). 8 week courses on the USS McKee. Submarine base, Point Loma, CA.
Teaching Assistant. Department of English, Washington State University. 1992-1994.
Freshman Composition (English 101). Instructor of record for five sections of computer-aided composition course. Class used networked Macintosh computers once a week. Focused on group work and multicultural assignments. Departmental portfolio readings were required in fifth and eleventh week.
Assistant to Dr. J. M. Massi. Department of English, Washington State University. Fall 1993.
Introduction to Shakespeare (English 305). Delivered guest lecture on Henry IV, Part 1 in addition to assisting instructor, grading papers, and discussing teaching procedures throughout the semester.
|Engl 520||Literary Contamination in the Renaissance||Heather James|
|Colt 524||Topics in Classical to Early Modern||Heather James|
|Engl 650||Film: Race, Gender, and Class||Tania Moleski|
|Engl 630||Genre: Drama||David Roman|
|Engl 520||Renaissance Philosophy||Laurence Green|
|Engl 510||Chaucer||J.A. Dane|
|Engl 590||Renaissance Drama||Laurence Green|
|Engl 660||Theory: Marxism, Postcolonialism, Feminism||Student-Led Seminar|
|Engl 530||Restoration/17th C.||Leo Braudy|
|Engl 520||Renaissance Politics||Heather James|
|Engl 501||Textual Criticism/Bibliography||J.A. Dane|
|Hist 599||Early Modern World History||John Wills|
Washington State University (M.A. 1994)
|Eng 548||Literary Theory||Louise Schleiner|
|Eng 507||Shakespeare||J. M. Massi|
|Eng 537||Literature of Women in the Renaissance||Louise Schleiner|
|Eng 555||Science and Magic in The Canterbury Tales||Mary Wack|
|Eng 560||Restoration and 18th Century Drama||J. M. Massi|
|Eng 573||Gender and Culture in 19th Century America||Joan Burbick|
|Eng 521||British Romanticism||John Ehrstine|
|Eng 512||Introduction to Graduate School||Alfred Von Frank|
|Eng 501||Methods of Composition||Susan Wyche-Smith|
San Diego State University (4 years of undergraduate work + 1 year of Postbaccalaureate work)
|Hist 522A||Tudor and Stuart England||J. Flemion|
|Eng 604B||Seminar: Renaissance Drama (except Shakespeare)||Dorothea Kehler|
|Eng 534||Study of Shakespeare||Dorothea Kehler|
|Eng 533||Shakespeare||Prof. Morgan|
|Eng 499||Special Study: Shakespeare||Dorothea Kehler|
|Eng 536||17th Century Literature||Prof. Ridgeway|
|Eng 531||Renaissance Literature||Prof. Ridgeway|
|Drama 496||Shakespeare: Timon of Athens||Old Globe Theatre|
|Drama 496||Shakespeare: Coriolanus||Old Globe Theatre|
|Drama 496||Shakespeare: Love's Labor's Lost||Old Globe Theatre|
|Drama 496||Shakespeare: Comedy of Errors||Old Globe Theatre|
|Drama 420||Play Analysis||Robert Chapel|
|Drama 460||History of the Theatre (to 1660)||Bonnie Anderson|
|Drama 596||Dramaturgy: Advanced Text Analysis||A. C. Harvey|
|Hum 401||The Medieval Heritage of Europe|
|Eng 530||Chaucer||Thomas Donahue|
|Eng 542||Romantic Literature||Robert Sayre|
|Eng 524||American Literature 1920-1950||Prof. Sheres|
|Eng 509||Introduction to Teaching Composition||Sherry Little|
|Drama 310||Creative Drama in the Classroom|
|Speech 475||Intercultural Communication||Larry Samovar|